Tuesday, August 2, 2011

Summer Styles | Great Lengths


We have yet to see separates make a significant comeback, even though we’re a month into summer. Maxi dresses with allover prints and simple silhouettes are everywhere, and women are opting to wear them most often with shoes that disappear behind the longer hemlines. The actress Halle Berry, with her daughter Nahla, pairs a graphic ikat with a fringed bag and barely there sandals, while the breakout star of the summer, Rosie Huntington-Whiteley, puts a casual spin on wallpaper print and the “Gossip Girl” actress Jessica Szohr accessorizes a strapless with long gold chains.

Friday, July 29, 2011

Dress Codes in New York Clubs: Will This Get Me In?

GENTLEMEN who prefer Ed Hardy shirts, those dragon-happy hallmarks of “Jersey Shore” chic, will not be getting into the Mulberry Project, the subterranean speakeasy cocktail lounge in Little Italy, any time soon. If you prefer your dress shirts colorful and boldly striped, don’t bother with the club Provocateur, in the meatpacking district. Baggy, low-slung jeans your style? Lots of East Village bars may be O.K. with that, but there will be no Continental for you tonight.

Dress codes have long been the secret language of New York City night life; fluency can mean the difference between an epic night out and a humiliating kick to the curb. “There’s nothing that dresses a room like a crowd,” said Ian Parms, an owner of the Mulberry Project. “The ambience of the experience is the people around you, so it’s important for us to keep those people fashion-forward and eclectic and interesting and engaging.”

Beyond being inherently snobbish, such selectivity has invited charges of racism. In December, the New York City Commission on Human Rights opened an investigation (still in progress) into the Continental, a sports bar in the East Village on Third Avenue, for its “no baggy jeans or bling” policy, which civil rights groups called a barely concealed ploy to keep out blacks. Trigger Smith, the owner of the Continental, denied that he was trying to exclude people of a certain race. “It just so happens that more minorities wear these” kinds of clothes, he told The New York Times in January. “There isn’t a racist bone in my body.” One reason some may have found the Continental’s policy hard to swallow is the bar’s otherwise obvious lack of interest in fashion. On a typical Saturday night, the Continental’s mixture of frat boys and barflies sports an unironic mĂ©lange of ripped blue jeans, grubby backpacks, baseball hats and sneakers. (And for what it’s worth, the crowd was about 30 percent black on a visit in April.)

But Mr. Smith’s defense illuminates a truth about dress codes at even the most exclusive velvet-roped clubs: they are frequently intended to keep out a certain type of person. The clothes themselves are secondary.

Michael Satsky, proprietor of Provocateur, at the Gansevoort Hotel (but now on a brief summer hiatus), admitted that he strived to keep his bar free of the randy bridge-and-tunnel boys who prowl the neighborhood on weekends. Luckily for him, they apparently self-identify through their shirts.

“We do not do plaid, and we don’t do stripes,” he said. The ideal Provocateur guest “doesn’t have to wear crazy stripes on his shirt to draw attention to himself.” (Plaid was just fine, however, at the closing night of Beige in the East Village a few months ago, where nearly every fashionable gay man who showed up seemed to be clad in a gingham shirt.)

Mr. Satsky suggests that his male patrons wear “a blazer, a solid button-down or a solid sweater.” For women, shoes are key. “Minimum five-inch heel,” he said. “Christians are our favorite,” he added, referring not to the faithful but to Christian Louboutin, the designer known for his red soles. Jimmy Choo and Christian Dior are also welcome. If the crowd in Provocateur on any given night is a gauge, being European, gorgeous and at least 5-foot-10 is good, too.

An injunction against flannel, shorts and other typical brunch fashions helps convey the message that the sparklers-and-champagne bacchanal known as the Day and Night Brunch, which until June was held at the Plaza, is for socialites and financiers, not hotel guests in search of French toast, said Daniel Koch, who runs the weekly party with his twin brother, Derek.

“You get guys in from L.A., they think a brunch is a brunch,” Mr. Koch said. “We have to say, ‘Look, dude, this isn’t what you think it is.’ You can’t rock a T-shirt here unless you’re a rock star.”

Thursday, July 21, 2011

GEORGETTE KONING ON AMSTERDAM INTERNATIONAL FASHION WEEK BACKSTAGE

Extremism at the Amsterdam International Fashion Week. The dress of the future is no longer made of cloth.It's all about expirimenting with different kinds of material. Only think about Iris van Herpen. Dutch designer Winde Rienstra turns cheap materials into airy cage constructions.





Wednesday, July 20, 2011

Fashion Week Swim's Most Outrageous Bathing Suit Statements


Fashion Week Swim always brings out the best and the brightest beachwear looks...or at least the brightest.

While the shiny, slinky, strappy ensembles certainly lit up Miami's runways, we have to wonder which of these swimwear get-ups would actually work on the beach. Hey, Herve Leger's $1,050 bandage bathing suit that can't be worn in water had to get its start somewhere.

Take a look at the nuttiest numbers from Fashion Week Swim and tell us: which of these suits (and turbans, feathers or veils) would you sport in the sand?


Fancy Feathers


Tuesday, July 19, 2011

Weird Fashion









Monday, July 18, 2011

For Her New Look, Beyoncé Goes Under the Radar

As with other leading pop music divas like Lady Gaga, Rihanna & Katy Perry, fashion has always played a large role in Ms. Knowles's artistic persona. In her music videos, he makes use of outfits to take on different roles - from sexy diva in sky-high heels & a leotard in "Single Ladies (Put a Ring on It)" to joyful bride in a wedding dress for her latest video "Best Thing I Seldom Had" - while onstage, revealing ensembles spice up her live performances.

Beyonce Knowles's latest chart-topping album hit stores less than a month ago. But it is not the singer's music that has the fashion world buzzing. The fourth album by the artist, titled "4," features a fold-out cover that looks more like a shiny fashion journal spread than a record sleeve.

The difference, this time, is in her choice of designers. In lieu of sticking to major fashion houses like Versace, Gucci, Prada or Chanel, the singer has thrown the spotlight on a lot of up-and-coming designers whose names are likely to be unfamiliar to all but the most diehard fashion followers.

Ms. Knowles's creative director, Jenke-Ahmed Tailly, along with the singer's stylist Ty Hunter, pointed her in the direction of these designers. "The album is a musical gumbo of everything Beyonce likes," said Mr. Tailly in an interview by phone. "Each song has a different character so they decided to do the cover like an article for a journal, with each song having its own style."

The album's cover picture illustrates the singer's embrace of under-the-radar creators & features Ms. Knowles wearing a fox-fur stole by the cult Spanish designer Alexandre Vauthier embellished with Swarovski crystals by the Lesage embroidery house. Mr. Vauthier's work also shows up inside the fold-out cover, as does a pair of "Daisy Duke" shorts by the young Spanish designer Julien Fournie, who founded his brand only years ago. Even student designers got a look-in: Leah Rae, who is studying at the Fashion Institute of Know-how in New York, created a form-fitting lemon-yellow mini-dress for the album spread.

"It was important to Beyonce that the choice of clothing not be about the brand but about the quality of the work," said Mr. Tailly who, with the creative consultant Melina Matsoukas, brought Ms. Rae's designs to the singer's attention.

For the "deluxe" version of the album, which features additional songs & remixes, a photograph of Ms. Knowles in a purple-and-black beaded dress by the 27-year-old Spanish designer Maxime Simoens replaced the fur stole as the cover picture. On the back of both versions of the album, the singer is photographed in a vintage Azzedine Alaia jacket & some gravity-defying high heels by the 36-year-old Dutch designer Jan Taminiau.

Thursday, July 14, 2011

Summer Styles | Sirens

The hazy and humid days of summer are upon us, and it seems many are coming down with a case of scarlet fever. Rather than run around in barely there ensembles, women are wearing clothes that get attention for their vivid color. The English television presenter Fearne Cotton keeps things casual in cheery off-shades, while the actress Charlotte Poutrel goes glamorous and the model Karolina Kurkova dazzles in floor-length silk. The heat is on.